Working for nothing in the arts is increasingly common. But what can you get out of an internship, and how do you know you're not being exploited? If interning is only available to the super privileged how can people with less capital get into this industry?
Catherine Bouris, Genevieve Buzo, Linh Thuy Nguyen
Much like that time I dated identical twins, being with a fellow creative can have high highs and low lows. Should you dip your nib in the office ink?