Working for nothing in the arts is increasingly common. But what can you get out of an internship, and how do you know you're not being exploited? If interning is only available to the super privileged how can people with less capital get into this industry?
Catherine Bouris, Genevieve Buzo, Linh Thuy Nguyen
"Go down /
r a b b i t h o l e
For decades the line has been drawn,
It's time to settle the score! Traditional and experimental poets battle it out. Whose poetry will reign supreme?"