In a world where socially engaged art is more important than ever, how do artists work ethically with communities? Covering the pitfalls, changes and challenges in community arts and cultural development, this panel discusses the importance of representation, diversity and cultural competency in the arts.Image: Participatory art work, The Emotional Life of Objects (2016), Sand Casts of Personal Objects by Participants (Detail), Kate Richards with Penelope Lee, ARC Centre for the History of Emotions, George Paton Gallery. Image courtesy Andrew Turl
Kate Richards, Madalyn Trypas, Kevin Bathman, Isabella Capezio
Working for nothing in the arts is increasingly common. But what can you get out of an internship, and how do you know you're not being exploited?
Come end the day's festivities with readings from the nation's best and brightest writers. Tonight's theme will take us to places familiar and foreign - not necessarily Summer Bay, but we won't be mad if someone goes there.